AArrow Brings a Little Happiness to Downtown DenverJohnny AArrow
Happy City Denver Installation Takes over Downtown Denver
Julie Rada walked out of the “Emotional Baggage Drop,” a small, wood-paneled booth in the main hall at Denver Union Station, on Friday, having let go of some of her daily frustrations on her way to lunch.
“I don’t know that I feel like this has fixed anything, but it’s a nice little temporary release,” said Rada, an audience development associate at Denver Center for the Performing Arts. “If anything, I crave connections and would have loved to engage in deeper conversations with people.”
“Emotional Baggage Drop” — a sort of confessional booth in which strangers ages 18 and up talk through an opening in the wall, briefly and anonymously sharing their worries with each other — is one of the most visible pieces of a new citywide art project called “Happy City Denver: Art for the People.”
Organizers and supporters, including the Denver Theatre District and the roving art museum Black Cube, kicked off “Happy City” at Union Station just before noon Friday, touting a variety of whimsical, surprising, intentionally humorous features designed to connect strangers in public spaces.
“There’s not one spectacular event with a single headquarters,” said Cortney Lane Stell, chief curator of Black Cube. “The artworks are the core part of this, but like a European-style biennial, there are also events, lectures and other activations. You can’t just go to one place and experience everything. You have to be curious. Your have to, perhaps, wander.”
But major parts of “Happy City” — which began as an installation by acclaimed British artist Stuart Semple, and has expanded into a broader, more local project — will be impossible to miss.
Besides “Emotional Baggage Drop,” which is designed to snag the thousands who pass daily through Lower Downtown’s transportation hub, “Happy City” in the coming weeks will roll out “Happy Clouds,” helium and soap bubbles combined to create giant, floating smiley faces released over the Denver Central Library, the Colorado Convention Center and other prominent locations.
Massive digital billboards at 14th and Arapahoe streets, as well as at Champa Street along the 16th Street Mall, will screen bizarre, funny, surprising videos from artists such as Theresa Anderson, Milton Melvin Croisssant III and Zach Reini.
Artist Carlos Frésquez will freshen up alleys off the pedestrian-heavy stretch of 16th Street Mall, between Stout and California streets, as part of “Between Us: The Downtown Denver Alleyways Project” (in this case, with giant, tree-shaped air fresheners), while artist Kelly Monico’s “Alley Cats” will install 300 kitschy cat figurines between Larimer and Market streets, and 14th and 15th streets.
Those and other “Between Us” installations (from artists Joel Swanson and Frankie Toan) will open at 4 p.m. on June 15, with funding and production from the Downtown Denver Partnership and the Downtown Denver Business Improvement District.
On Friday morning, Stell had just come from a fabrication shop that was preparing Semple’s piece “I should be crying but I just can’t let it show,” which will eventually become a bright yellow, smiley-faced foam “stress ball” big enough to be squished between two buildings (also opening June 15, between Champa and Stout streets along the 16th Street Mall).
“The initial ideas resonated with a lot of people, and more locals wanted to get involved,” said David Ehrlich, executive director of the Denver Theatre District, which initiated “Happy City” with Denver-based partner and curator Nine Dot Arts.
The entire, citywide installation, organizers said, has a budget of more than $500,000, supported by Theatre District funds as part of its ongoing Terra Firma project (including Konstantin Dimopoulos’ citywide “Blue Trees”) and other nonprofit and foundation support.
A previously announced makeover of the Convention Center RTD Light Rail stop has been scrapped due to prohibitive costs.
“The ‘Happy City’ project was particularly appealing because it sits squarely at the intersection of art and mental health,” said Noah Atencio, vice president of community impact for the Community First Foundation. “We believe this is a unique opportunity to change the public perception of mental health and encourage meaningful conversations throughout the city.”
Dozens of people surrounded a “Happy City” table on Friday in Union Station, picking up event pamphlets and branded fidget spinners, T-shirts and other merchandise.
Sage Hospitality is getting in on the act with art-themed overnight packages and installations at its downtown Denver hotels, including the Curtis, the Crawford and the Maven. Its historic Oxford Hotel will have a front-row seat for the “Happy City” piece “Jump (Bring Us Together),” which runs June 23 and 24 and brings an “inflatable dance party” (think of it as a massive bouncy house for adults — but with DJs) to 17th Street between Wykoop and Wazee streets. Hours are from 11 a.m. to 7 p.m.
“We know that by changing your physicality and psychological state we can stimulate happiness, so (‘Jump’) is a very active, movement-type piece,” Semple told The Denver Post in January. “The idea is really to create a series of art experiences across the whole city that increase happiness and make it more inviting.”
Written by John Wenzel